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sponsors are the patrons contemporaries? Wednesday 16

sad to see venice packed with billboards and sponsor of diverse appeal. Overflight St. Mark's Square that looks like a building site, the materials placed in large portions without even a protection that hides them, advertising giant capitals discolored and chipped. all in the midst of dirt. I'm Italian, what's more Sicilian living in Rome, and therefore I can not wonder.
indignation, however. And, well, think. these modern patrons protect and preserve the beauty but using tools that clash with the taste: almost an oxymoron.

and the bridge of sighs stifled by a blue sky and images decontextualized? went on site sponsor. thought that telling the restoration of the ducal palace and instead I found a number of materials which bear witness to stories reported by the Italian public, a sort of memory and preservation of specific 'Italian. incomprehensible combination represented in that way.

why do not you think of a more delicate of the sponsor, who also needs to understand his vision? fifth used as transparent boards to tell these stories from Italian place near the monument. or inner rooms of the palace video wall with projecting the archives of Italian history. or a classic reconstruction of the real image on a protective panel and the sponsor's logo placed gently on a high.

but the impact here is striking, the son of those television images they want the excess: the dispute in a lively debate, the woman abruptly retouched and dressed, the fake prudery hidden stories of compassion in intimate stories. All returns have to sow more. with the virus should infect all the beauty.